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Loudspeaker Setup
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Tri-
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Professional Sound Beyond Home
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Our Theory on Sound
Below is an selection of amplifiers that we recommend that are budget frinedly, but offers great performance and very good sound quality for the price.
Introduction
This is a very diffuclt and comunicated answer to give. The answer can be sum up and a few words (accurate sound reproduction), but this is something that is overlooked by some listeners. The answer should be simple, but it is now, Having accurate sound reproduction is not enough for listeners today. There must be more musical, soemthing that has texture, detail and a is sonically moving.
The Idea
As a loudspeaker manufacturer and designer, we believe sound should be moving and
engaging to the listener. The sound of the loudspeaker in some way, should drawn
you into the music, The instruments should be accurate and detail, but as the same
time lively and engaging ( like a guatar, hi-
Accuracy
The term accuracy in loudspeaker design, this mean musical instruments being play through a loudspeaker should sound like they should in real life. But the problem with that is the dynamics. You can get a certain insturments to sound like it should, but each musical instrunment has its own dynamics, and this is where the problem lies. Dynamic is how loud and responsive the insturnmet can be, once it is played or struct. For example, you can take two instrunments, one being a piano and the other a saxphone. These are to very different insturments that have different dynamics. lets start with the piano, it has a variay of dynamics depending on how the keys are structed. The dymanics can be very low depending on tone and can be very louds at the same time. this can also apply to the valousity of the keys being hit. The speed of which a piano can play can be played by most loudspeakers. when a key is struct. For a saxphone, it has a range (generally) from 300 to 4000Hz (depenading on its type) and it gives off whole different type of sound that requires a high performace loudspeaker that can athecially (real) reproduce that motion of sound that is very fast and dynamic with little effort when played. this would require a loudspeaker that have good dynamics and transit response. You would need high frequency drives and mids which less moving mass parts. The lighter and smaller the diraframe of the drivers are, the faster the speaker can move. The driver would also need to be at an higher sensativity to give realism to the saxaphone instrutment. No single driver could faintfully reproduce the sound of that saxaphone. it would require multiple drivers and time alingment to achive that accuracy and realism of that instrutment, also drivers that can play at a high leve with very low distortion.
Dynamics
Dynamics is kind of a tricky response. for a example, a 3 or 4" drivers cone movement will travel faster because of the smaller cone size, but will lack the sensativity and the dynamic range of larger drivers. Even though larger drivers may be more sensative, they lack the quickness of smaller driver. So you would need a combination of drivers to reproduce the dynamics in music accuracly
So our focus is to design loudspseakers, that offers different types for sound for different types of listeners. In some ways this idea and process would driver a loudspeaker manufacture insame. Not only do you have different lines and models of loudspeaker as well. Bue we believe this is possible and it can be done in a way that is accepting to many listerners. This is why decided to create several lines of loudspeakers that epe this idea. Each line of speakers we design still mantains clairty and accuracy throughout the lines.